The pack art featured a veiled woman, the Turkish crescent moon with stars, and the Iron Cross, the symbol of the Ottoman Empire
but it was elusive, nameless, placeless, an impressionistic recital, though the impression was contrary to what one expected, for she gave an almost voluptuous account of swimming and summer, Christmas trees, pretty cousins and parties: in short, happy in a way that she was not, and never, certainly, the background of a child who had run away
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